Marshall

主演：瑞秋·布罗斯纳安,迈克尔·泽根,艾利克斯·布诺斯町,托尼·夏尔赫布,玛琳·辛科,凯文·波拉克,扎克瑞·莱维,简·林奇,卢夫斯·塞维尔,卡罗琳·阿隆,威尔·伯瑞,贾斯汀·卢佩,乔尔·约翰斯通,布赖恩·塔伦蒂诺,卢克·柯比,艾米莉·贝吉尔,丹尼尔·斯图尔特·谢尔曼,林恩·科恩,马提欧·帕斯卡尔,约翰·斯库蒂,埃里克·帕拉迪诺,马蒂尔达·斯齐达吉斯,PJ Marshall
简介：这一季，米琪（蕾切尔·布罗斯纳罕 Rachel Brosnahan 饰）在经纪人苏西（艾利克斯·布诺斯汀 Alex Borstein 饰）的帮助下继续着她的脱口秀梦想。而一直以来矜矜业业扮演着家庭主妇角色的米琪的母亲罗斯（玛琳·辛科 Marin Hinkle 饰），却突然觉醒了女权意识。她抛弃了总是无视自己的丈夫艾博（托尼·夏尔赫布 Tony Shalhoub 饰），前往巴黎完成自己的艺术梦想。　　在离开了米琪后，乔尔（迈克尔·泽根 Michael Zegen 饰）回到了父母所经营的工厂干活，却发现那里的账目亏空管理混乱，与此同时，他和米琪的心中都还有着对彼此的留恋。米琪在度假期间结识了一名外科医生（扎克瑞·莱维 Zachary Levi 饰），两人之间似乎有着碰撞出火花的趋势。

主演：Tim Curry,David Oyelowo,Greg Ellis,Taylor Gray,Vanessa Marshall,Matt Sloan,詹森·艾萨克
简介：这部全新“星战”动画系列《星球大战：反叛军》的故事发生在介于《星战》第三章和第四章之间（摧毁最后的绝地武士的帝国反击战）的纪元。而《星球大战：克隆战争》动画系列片导演戴夫·费罗尼将出任这部全新动画系列的监制。片中的艺术概念则将采用曾为“星战”系列电影设计过经典角色和场景的 已故科幻大师拉尔夫·麦考瑞的作品。　　《星球大战：反叛军》将延续星球大战冒险史诗的传统。这是银河系的黑暗时刻，邪恶的银河帝国以铁血统治占领了一个偏远的星球并行使种种破坏其人民生活的恶行，但有一群人勇敢地站起来反抗。这一群人将面临威胁恶棍的威胁，经历惊心动魄的冒险，而成为英雄。

主演：乔什·杜哈明,安东尼·霍普金斯,阿尔·帕西诺,爱丽丝·伊芙,玛琳·阿克曼,李秉宪,朱丽娅·斯蒂尔斯,格伦·鲍威尔,马库斯·里尔·布朗,Leah McKendrick,克里斯·马奎特,Skye P. Marshall,格雷戈里·艾伦·威廉斯,杰森·吉布森,Nathan Moore
简介：影片故事讲述乔什·杜哈明饰演的律师，在追查制药公司顾问(安东尼·霍普金斯饰)受贿案件时，卷入一宗谋杀案中。阿尔·帕西诺饰演的律所老板强势介入，帮助被指控的律师洗清罪名。

主演：埃罗尔·弗林,Brenda Marshall,克劳德·雷恩斯
简介：当年以演侠盗著称的动作巨星埃罗尔·弗林饰演绰号“海鹰”的英国海盗船长，在17世纪英国与西班牙作战时下令击沉了法国大使乘坐的军舰，并自行放走在舰上当奴工的一群英国俘虏，因而惹祸上身，但也因为他的正义和勇敢而赢得大使千金的爱情。

主演：玛奇·贝拉米,巴克·琼斯,扎苏·皮茨,莱斯利·芬顿,简·诺瓦克,Virginia Marshall,艾迪丝·查普曼,埃米莉·菲茨罗伊,William Bailey
简介：

主演：卡赖伯·兰德里·琼斯,埃茜·戴维斯,安东尼·拉帕格利亚,朱迪·戴维斯,肖恩·基南,Annabel Marshall-Roth,Rick James,Ethan Cook
简介：不受欢迎的青年尼特朗，坏脾气的他就像个不定时炸弹，在公众场合任由行为失控，母亲为了管教身心俱疲，宠溺的父亲会在闯祸后出面收拾残局，让尼特朗变本加厉。他没学可上，成日在街头游荡，社区的孩子总是戏弄嘲笑他，直到遇见年华消逝、古怪却富有的海伦，他认为自己找到了朋友，母亲却觉得这位“新朋友”另有所图⋯⋯。　　以犯罪电影见长的澳洲导演贾斯汀克佐，再度携手《血教育》编剧尚恩格兰特，这回收起形于外的暴虐，用冷静自持的角度，重新检视震惊全澳的真实社会事件。画面虽不见血腥，不言而喻的冷暴力，却让恐惧更深入骨髓。茱蒂戴维斯所饰演的母亲，表面虽强硬，但面对智力受损而不受控的孩子所产生的爱与恐惧，诠释层次分明。性格小生卡赖伯兰里琼斯令人不寒而慄的演出，也让他成功拿下坎城影帝。

主演：普里德拉格·比耶拉克,Carlo Sabatini,Bohumil Svarc,列维·施瑞博尔,乔瓦尼·隆巴多·雷迪斯,Baby Zikova,Baby Morvas,Baby Muller,Baby Litera,朱丽娅·斯蒂尔斯,Tomas Wooler,Rafael Sallas,Marshall Cupp,Martin Hindy,肖姆斯·戴维-菲茨帕特里克,艾米·哈克,大卫·休里斯,玛安
简介：6月6日凌晨6点，美国外交官罗伯特•舍恩（Liev Schreiber 饰）刚出生的儿子不幸夭亡，在斯派尔多神父（Giovanni Lombardo Radice 饰）的建议之下，他收养了一个出生不久母亲便过世的婴儿，并为其取名戴明。　　戴明（Seamus Davey-Fitzpatrick 饰）在罗伯特的家中健康成长，从未生病。与之相对，各种怪事也不断在周围发生。罗伯特的妻子卡瑟琳（Julia Stiles 饰）再次怀孕，她发现戴明竟然对尚在腹中的婴儿心存恶意。在布莱南神父的指点下，罗伯特得知戴明竟然是恶魔之子，他必将不断壮大，为害人间……　　本片为1976年同名作品的翻拍版。

主演：文森特·普莱斯,Essy Persson,Hilary Heath,Carl Rigg,斯蒂芬·蔡斯,Marshall Jones,Andrew McCulloch,迈克尔·埃尔菲克,Pamela Moiseiwitsch,Joyce Mandre,罗伯特·赫顿,盖伊·迪吉,伊丽莎白·伯格纳,帕特里克·莫夫,Victoria Fairbrother,Quinn O'Hara,休·
简介：In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

主演：露皮塔·尼永奥,乔什·加德,亚历山大·英格兰,Nadia Townsend,斯蒂芬·皮科克,Kat Stewart,M.J. Kokolis,萨基亚·伯梅斯特,Talayna Moana Nikora,迪塞尔·拉托拉卡,亨利·尼克松,Marshall Napier,Hudson Brande,Lucia Pang,Rahel Romahn,费利克斯·威廉森,艾娃·卡约菲丽斯,杰森·庄,克里斯蒂·布
简介：露皮塔·尼永奥、乔什·加德或将加盟僵尸题材恐怖喜剧[小怪兽](Little Monsters，暂译)，与亚历山大·英格兰([异形：契约])上演对手戏。故事讲述一位不得志的音乐家，对侄子的幼儿园老师产生好感，自愿担任起陪护老师，护送他们参加儿童音乐节。而音乐节主办人也对老师展开爱情攻势，正当三人关系陷入窘境，僵尸来了！

主演：Marshall Thompson,Shirley Patterson,Kim Spalding
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.