Bila

主演：马伊雷德·泰尔斯,希沃恩·麦克斯维尼,罗比·基,约翰·麦克米兰,索菲亚·奥克斯纳姆,Reis Daniel,Edward Wolstenholme,Luke Rollason,Safia Oakley-Green,亚伯拉罕·波波拉,皮埃尔·伯格曼,Bilal Hasna,Nathaly Herrera,Kamahl Sami-Miller,埃拉·布鲁科莱里,帕特里夏·艾莉森
简介：《非凡》讲述的是一个每个人都在18岁生日时拥有超能力的世界，除了珍。她都25岁了，还在等着自己的生日。她甚至对这可能是什么都不挑剔超级速度激光眼睛吗每次都能正确插入USB的能力她会接受的。就像被蝴蝶包围的毛毛虫，珍觉得……

主演：罗曼·克洛索夫斯基,伊娃·简祖罗娃,米兰·耶利奇,Milada Jezková,瓦茨拉夫·巴布卡,玛丽·莫特洛娃,卢多维特·赖特尔,尤拉伊·恩沃塔,伊万·帕卢赫,Vera Bílá
简介：1980年的这部影片对准了一群铁路邮差，主角是当中一名其貌不扬、求爱处处碰壁的EVRYDAY，大伙儿想尽办法帮他出主义，心上人偏偏跟帮他出主意的帅小子搞在一起，只等佳人被搞大肚子之后，才轮到他来疗伤谈心，这部爱情喜剧，展现了哈那克在档案癖好之幽默风趣的一面，严肃导演也能拍爱情电影，能令人笑中带泪地体会卑微小人物生活的甘苦，也对俊男美女只重视表面的爱情功夫作了一翻嘲讽。此片历劫十年，在解禁之后哈那克以此片夺下1989年柏林影展的最佳导演奖。

主演：弗兰科·奇蒂,尼内托·达沃利,Jovan Jovanovic,文森佐·阿马托,安吉拉·露西,Giuseppe Zigaina,玛丽亚·加布里埃拉·玛雅,Vincenzo Cristo,皮埃尔·保罗·帕索里尼,Giorgio Iovine,Salvatore Bilardo,Vincenzo Ferrigno,Luigi Seraponte,Antonio Diddio,Mirella Catane
简介：获柏林电影节评审团大奖。影片取材于意大利文艺复兴时期薄伽丘的著名小说集《十日谈》，帕索里尼从中挑选了8个（亦有说10个）发生在那不勒斯等意大利南部地区的故事进行拍摄（原著中以佛罗伦萨地区故事为主），这些故事大多以揭露教会虚伪丑恶本质为宗旨，并鲜明地表现了作者对人性解放的肯定态度。　　原著《十日谈》是意大利文艺复兴时期最重要的文学作品之一，它以十四世纪黑死病横行的时期为背景，通过十位青年所讲述的一百个故事，大胆鞭挞了当时天主教会的种种丑行，表现出平民阶层追求自由、摆脱宗教束缚的渴望。这部现实主义风格明显的作品堪称欧洲古典文学的杰作，被后人誉为和但丁《神曲》齐名的 人曲。　　意大利新现实主义影片后期崛起的导演帕索里尼，延续了自己六十年代以古代神话题材警醒当今世人的创作路线，以相对通俗化的手法连续改编拍摄了《十日谈》、《坎特伯雷故事》和《一千零一夜》三部古典名著影片，合称生命三部曲。因为这三部影片中裸露镜头较多，又采用了较为通俗的娱乐片路线，有的电影学者也称之为帕索里尼的色情三部曲。对此帕索里尼本人阐述了自己的创作观点：我向观众表现的是整个世界，封建的世界，在这个世界里，情欲极其深刻而狂热地起着支配一切的作用。……我要推出这个世界并且说：你们可以比较一下，我要向你们表明，我要向你们诉说，我要向你们提醒。

主演：基尔特·范·朗拜博格,吉恩·伯沃依兹,劳拉·薇琳顿,Yassine Fadel,Fabrice Boutique,Wouter Hendrickx
简介：一位雄心勃勃的女记者，为电视传奇人物的团队工作。她在报道布鲁塞尔的暴力骚乱时，遇到了一位有着沉重过去的摩洛哥人……

主演：Ece Çesmioglu,Aslihan Malbora,Halit Özgür Sari,Enver Ceylan,Kubilay Tunçer,Süreyya Güzel
简介：在海滨小镇度过暑假时，16岁的丹妮兹希望俘获童年时期暗恋对象的芳心，却因此陷入三角恋

主演：Pavle Cemerikic,Sumeja Dardagan,贾斯敏·盖廖,Kerim Cutuna,Alban Ukaj,Bilal Halilovic,耶琳娜·科迪奇·库雷特,Irena Mulamuhic,Farah Hadzic,哈西娅·博里奇,厄明·布拉沃,Dragana Varagic,伊兹丁·巴乔维奇,穆罕默德·哈扎维奇,Maja Salkic
简介：青少年法鲁克和朋友靠帮黑手党做事为生，直到他遇到中产阶级女孩莫娜，一段青春期的浪漫爱情由此萌发。影片徘徊在惊悚片和童话故事之间，灰暗现实与迷人梦境互相交织，极富油画质感的布光、舒缓的钢琴旋律衬托出年轻人的迷惘与哀愁。波黑导演伊戈尔·德尔利亚凭借一个浪漫爱情故事之壳，展现战后萨拉热窝的社会氛围，以及不同阶层的生活状况。本片入围2021年柏林电影节新生代青年竞赛单元。

主演：Jessica Mila,Nabilah Ratna Ayu Azalia,索菲娅·拉特朱巴
简介：艾莉雅在孤兒院工作時，認識了青少女娜迪亞。娜迪亞說她聽見牆壁發出怪聲後，兩人試著找出來源，情況卻演變到難以收拾的程度

主演：尤拉伊·恩沃塔,伊娃·比托瓦,约瑟夫·赫利诺马兹,玛丽·莫特洛娃,瓦茨拉夫·巴布卡,Jozef Belan,Míla Beran,Vera Bílá,Ján Gina,Libuse Havelková,Nada Hejna,Milan Kis,Ludovít Króner,马里安·洛布道,Stefan Mandzár,哈娜·斯利夫科娃,Anton Trón
简介：An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

主演：Melisa Sözen,Kubilay Tunçer,Birand Tunca
简介：一名母親隱藏自己的謎樣過往，帶著女兒像無名逃亡者般生活。她們以旅館為家，將所有人都視為危險威脅。

主演：Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan
简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.