不快乐的假期
主演：卡罗琳·卡蒂埃,Danièle Croisy,Françoise Guégan,Patrick Verde,贝尔纳·梅内斯,Claude Burel,Dominique Constanza,Arlette Emmery
简介：三名年轻女子前往旺代省度假，期间她们办公室主任的出现，导致她们兴致全无，却变成折磨的痛苦。
简介：三名年轻女子前往旺代省度假，期间她们办公室主任的出现，导致她们兴致全无，却变成折磨的痛苦。
卡罗琳·卡蒂埃,Danièle C..
爱的千丝万缕
主演：菲利波·蒂米,弗兰切斯科·夏纳,Francesco Gheghi,Mauro Conte,Matteo Oscar Giuggioli,乔迪·梅,Giulia Maenza,Alessia Giuliani
简介：有两位父亲的十几岁少年制作了一部有关双亲的纪录片，却不料离奇的情节开始在他的家中真实上演。
简介：有两位父亲的十几岁少年制作了一部有关双亲的纪录片，却不料离奇的情节开始在他的家中真实上演。
菲利波·蒂米,弗兰切斯科·夏纳,F..
致命托儿所
主演：凯拉·伊薇儿,克里斯蒂·卡尔森·罗曼诺,拜斯·约翰逊,Ariella Nurkovic,Isabella Nurkovic,David Ulmer,Tyler Rice,卡亚·科利,Kimberly Arland,Thomas Bell,Michelle DeFraites,罗伯特·吴,Ian Stanley,Brock Burnett,金埃斯特斯
简介：在经历了几年的经济困难后，一位年轻的母亲决定回去工作，帮助她的前夫应付日益增长的账单。由于没有人照看他们四岁的女儿，这位母亲决定把她送到当地一家名为“小家伙”的日托中心，这家日托中心的主人是一位看上去很负责任的老妇人。米娅的尴尬行为持续了几周后，瑞秋得出结论，她的女儿可能受到了中心一位日托老师的虐待。
简介：在经历了几年的经济困难后，一位年轻的母亲决定回去工作，帮助她的前夫应付日益增长的账单。由于没有人照看他们四岁的女儿，这位母亲决定把她送到当地一家名为“小家伙”的日托中心，这家日托中心的主人是一位看上去很负责任的老妇人。米娅的尴尬行为持续了几周后，瑞秋得出结论，她的女儿可能受到了中心一位日托老师的虐待。
凯拉·伊薇儿,克里斯蒂·卡尔森·罗..
魔鬼的陷阱
主演：Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan
简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
Vítezslav Vejrazk..
龙狼血战
主演：Vincent Kinne,Geoffrey Giuliano,Macha Polivka
简介：一位年轻的母亲为了救活自己的儿子跟魔鬼巫师做了交换，巫师让她拿自己的灵魂去交换儿子的生命。母亲含泪答应，儿子也被救活。但同时，她也要履行跟巫师的约定......
简介：一位年轻的母亲为了救活自己的儿子跟魔鬼巫师做了交换，巫师让她拿自己的灵魂去交换儿子的生命。母亲含泪答应，儿子也被救活。但同时，她也要履行跟巫师的约定......
Vincent Kinne,Geo..
第五名乘客
主演：道格·琼斯,玛丽娜·赛提斯,明迪·罗宾逊,阿尔明·谢摩尔曼,蒂姆·罗斯,林得思,Manu Intiraymi,Reka Rene,哈娜·阿塔伊,胡安,Cleo Fraser,Morgan Lariah,Ryan T. Husk,里克·E.安德森,Peter Sebastian Wrobell
简介：未来，地球环境变得愈来愈恶劣，人类纷纷踏上外太空移民的星际之路。一艘硕大的航天飞船遭遇空难毁灭，载着船长的逃生舱被另一艘飞船所营救。然而，逃生舱里只有被划定为非公民的夏娃·米勒中尉（玛丽娜·赛提斯 Marina Sirtis 饰），此时她呆呆傻傻，陷入混沌。船长命令部下提取她的记忆，从记忆中得知，已经怀孕的米勒中尉在灾难中和富兰克林船长、多默、汤姆森、李等共计五人登上了逃生舱。虽然米勒遭受其他人的歧视和羞辱，但她还是竭尽全力要寻找生还的希望。只不过最后舱里究竟发生了什么事？其他四人究竟去了哪里？ 米勒中尉的记忆中藏着可怕的未解之谜……
简介：未来，地球环境变得愈来愈恶劣，人类纷纷踏上外太空移民的星际之路。一艘硕大的航天飞船遭遇空难毁灭，载着船长的逃生舱被另一艘飞船所营救。然而，逃生舱里只有被划定为非公民的夏娃·米勒中尉（玛丽娜·赛提斯 Marina Sirtis 饰），此时她呆呆傻傻，陷入混沌。船长命令部下提取她的记忆，从记忆中得知，已经怀孕的米勒中尉在灾难中和富兰克林船长、多默、汤姆森、李等共计五人登上了逃生舱。虽然米勒遭受其他人的歧视和羞辱，但她还是竭尽全力要寻找生还的希望。只不过最后舱里究竟发生了什么事？其他四人究竟去了哪里？ 米勒中尉的记忆中藏着可怕的未解之谜……
道格·琼斯,玛丽娜·赛提斯,明迪·..
致命虫灾
主演：Meghan Heffern,Rhonda Dent,Travis Waters
简介：兴趣怪异的女孩凯咪（Meghan Heffern 麦汉•海弗恩 饰）尤其喜好研究昆虫，即使在热闹的联谊会上也不忘记她的研究。她正致力改造昆虫的基因，以提高它们的智商。但在混乱的联谊会上，实验用的昆虫不慎走失，它们不断袭击狂欢的人们，尤其对美丽的派对女孩们感兴趣。随着食物的摄入，变异昆虫的体形逐渐膨胀，并且它们的智力也飞速提高。恐慌的人们不禁要小心被吃掉，还要时刻跟这帮食人恶魔斗智斗勇。更为恐怖的是，受到昆虫感染的人类也开始掠食人肉。 这是一场悬殊且胜算渺茫的对决……
简介：兴趣怪异的女孩凯咪（Meghan Heffern 麦汉•海弗恩 饰）尤其喜好研究昆虫，即使在热闹的联谊会上也不忘记她的研究。她正致力改造昆虫的基因，以提高它们的智商。但在混乱的联谊会上，实验用的昆虫不慎走失，它们不断袭击狂欢的人们，尤其对美丽的派对女孩们感兴趣。随着食物的摄入，变异昆虫的体形逐渐膨胀，并且它们的智力也飞速提高。恐慌的人们不禁要小心被吃掉，还要时刻跟这帮食人恶魔斗智斗勇。更为恐怖的是，受到昆虫感染的人类也开始掠食人肉。 这是一场悬殊且胜算渺茫的对决……
Meghan Heffern,Rh..
柳巷芳草
主演：简·方达,唐纳德·萨瑟兰,查尔斯·乔菲,罗伊·谢德,多萝西·特里斯坦,丽塔·甘姆,内森·乔治,薇薇安内森,Morris Strassberg,简·怀特,雪莉·斯托勒,罗伯特·米利,安东尼·霍兰德,Fred Burrell,理查德·B·沙尔,玛丽·路易丝·威尔逊,罗萨琳德·卡什,珍·斯泰普尔顿,安东尼娅·雷伊,Robert Ronan,理查德·罗素·拉莫斯,Jerome Collamore,坎蒂·妲
简介：故事发生在一个地处偏远的小镇之上，汤姆（Robert Milli 饰）的莫名失踪让警员约翰（唐纳德·萨瑟兰 Donald Sutherland 饰）百思不得其解，富有责任心和正义感的他决定追踪此案。汤姆在失踪前曾经和一位名叫丹尼尔斯（简·方达 Jane Fonda 饰） 的应召女郎有着密切的联系，根据一封两人之间的情书，约翰来到了纽约。 在监视丹尼尔斯的过程中，约翰在这个神秘的女人身上发现了许多可疑之处，她似乎也正在追踪着什么人。之后，又一名受害人的出现让整个案件开始变得险恶起来，而随着调查的深入，一位名叫柯博尔（Charles Cioffi 饰）的男子浮出了水面，他是否就是约翰正在苦苦寻找的那个人呢？
简介：故事发生在一个地处偏远的小镇之上，汤姆（Robert Milli 饰）的莫名失踪让警员约翰（唐纳德·萨瑟兰 Donald Sutherland 饰）百思不得其解，富有责任心和正义感的他决定追踪此案。汤姆在失踪前曾经和一位名叫丹尼尔斯（简·方达 Jane Fonda 饰） 的应召女郎有着密切的联系，根据一封两人之间的情书，约翰来到了纽约。 在监视丹尼尔斯的过程中，约翰在这个神秘的女人身上发现了许多可疑之处，她似乎也正在追踪着什么人。之后，又一名受害人的出现让整个案件开始变得险恶起来，而随着调查的深入，一位名叫柯博尔（Charles Cioffi 饰）的男子浮出了水面，他是否就是约翰正在苦苦寻找的那个人呢？
简·方达,唐纳德·萨瑟兰,查尔斯·..
致命距离1993
主演：布鲁斯·威利斯,莎拉·杰茜卡·帕克,丹尼斯·法里纳,汤姆·塞兹摩尔,布里翁·詹姆斯,罗伯特·帕斯托莱利,蒂莫西·布斯菲尔德,约翰·马奥尼,安德鲁·布劳尔,汤姆·阿特金斯,迈克·霍奇,乔迪·朗,罗斯科·奥尔曼,劳伦斯·曼德利,朱丽安娜·麦卡蒂,迈克尔·卡纳万,斯科特·克拉斯,埃里克·詹森,Jeffrey Stephan,Bill Hartung,小文斯·迪特里克,Robert DiDonato,Da
简介：汤姆（布鲁斯·威利斯 Bruce Willis 饰）出生于警察世家，他与父亲文森特（约翰·玛哈尼 John Mahoney 饰）不仅同为警察，两人还经常作为搭档一同执行任务。在一次意外中，文森特不幸身亡，父亲的死让汤姆感到了深深的愧疚，他陷入了自责和悲伤中无法自拔。 一起连环恶性凶杀案件的发生让整个匹兹堡陷入了恐慌之中，通过种种线索的调查，汤姆坚持认为凶手系警方人士，汤姆因此而遭到了业内的排挤和降职。时隔两年，类似的凶杀案再度发生，对案件依旧耿耿于怀的汤姆决定独自调查此事。随着调查的深入，汤姆惊讶的发现凶手竟然和父亲的死有着千丝万缕的联系，而汤姆的一举一动，似乎都在凶手的掌控之中。
简介：汤姆（布鲁斯·威利斯 Bruce Willis 饰）出生于警察世家，他与父亲文森特（约翰·玛哈尼 John Mahoney 饰）不仅同为警察，两人还经常作为搭档一同执行任务。在一次意外中，文森特不幸身亡，父亲的死让汤姆感到了深深的愧疚，他陷入了自责和悲伤中无法自拔。 一起连环恶性凶杀案件的发生让整个匹兹堡陷入了恐慌之中，通过种种线索的调查，汤姆坚持认为凶手系警方人士，汤姆因此而遭到了业内的排挤和降职。时隔两年，类似的凶杀案再度发生，对案件依旧耿耿于怀的汤姆决定独自调查此事。随着调查的深入，汤姆惊讶的发现凶手竟然和父亲的死有着千丝万缕的联系，而汤姆的一举一动，似乎都在凶手的掌控之中。
布鲁斯·威利斯,莎拉·杰茜卡·帕克..