主演:迪恩·凯恩,罗宾·吉文斯,劳伦斯·希尔顿-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney 简介:当一架客机困在一堆喷发的火山中时,乘客和机组人员必须设法求生——在不降落的情况下。但在岩浆和火山灰的持续打击下,机上的人产生了恐惧和不信任,威胁生命的不只是火山,人人必须学会合作,才能在火海飞行中活下去……
主演:迈克尔·基顿,凯利·普雷斯顿,约瑟夫·克罗斯,马克·阿蒂,安德鲁·劳伦斯 简介:杰克(迈克尔·基顿 Michael Keaton 饰)是一位功成名就的音乐家,在事业上取得了硕大的成功,这也就意味着,他牺牲了大部分陪伴家人的时间,杰克的儿子查理(约瑟夫·克罗斯 Joseph Cross 饰)对此一直感到闷闷不乐。某日,杰克回到家,和查理一起堆了一个大雪人,杰克送给查理一只口琴,父子之间许下承诺。 圣诞节将至,杰克决心和家人们共同度过这个温馨的节日,然而,就在他驱车回家的路上,发生了严重的车祸,杰克亦因此丧命。失去父亲的悲痛和绝望笼罩着查理,整整一年,查理的家庭都生活在悲怆而又压抑的气氛中。一晃眼,圣诞节又到了,查理想起了和父亲的约定,他堆了一个雪人,然后吹响了父亲送给他的口琴,希望父亲能够如同承诺的那样,再度回到他的身旁。
主演:詹妮弗·劳伦斯,罗伯特·德尼罗,埃德加·拉米雷兹,布莱德利·库珀,戴安·拉德,维吉妮娅·马德森,伊莎贝拉·罗西里尼,达丝莎·坡兰科,伊丽莎白·霍尔姆,苏珊·卢琪,劳拉·怀特,莫里斯·贝纳德,唐娜·米尔斯,吉米·让-刘易斯,约翰·伊诺斯三世,埃里卡·麦克德莫特 简介:乔伊(詹妮弗·劳伦斯 Jennifer Lawrence 饰)是一名独自抚养两个孩子的单身母亲,虽然她和丈夫托尼(埃德加·拉米雷兹 Edgar Ramirez 饰)已经离了婚,但这个穷困潦倒的男人还常常需要前妻的经济支持。不仅如此,乔伊还要照顾自己每天都瘫坐在电视机前的 母亲和生性风流四处沾花惹草的父亲,她所承担的压力可想而知。 实际上,乔伊有着非凡的经商头脑,她发明了魔术拖把,大大减少了主妇们花费在家务活上的时间。乔伊和商人尼尔(布莱德利·库珀 Bradley Cooper 饰)之间达成了交易,开始推广魔术拖把进入市场,但很快乔伊就发现,自己仿佛是一块香喷喷的肉,每个路过的人都想从她身上捞到点什么。
主演:托宾·贝尔,科斯塔斯·曼迪勒,贝茜·拉塞尔,加利·艾尔维斯,肖恩·派特里克·弗兰纳里,查德·多纳拉,吉娜·赫尔顿,劳伦斯·安东尼,迪恩·阿姆斯特朗,奈奥米·斯尼克斯,瑞贝卡·马绍尔,杰姆斯·范帕滕,塞巴斯蒂安·皮戈特,琼恩·柯,安妮·李·格林尼,德鲁·维尔戈维尔,盖比·韦斯特,查斯特·班宁顿 简介:吉尔·塔克(贝茜·拉塞尔 Betsy Russell 饰)向警方和盘托出竖锯事件的始末,而侥幸逃脱死亡威胁的马克·霍夫曼(科斯塔斯·曼迪勒 Costas Mandylor 饰)则向警方发出警告,势要杀掉吉尔不可。警署上下如临大敌。另一方面,自称竖锯游戏幸存者的波比·达根(肖恩·派特里克·弗兰纳里 Sean Patrick Flanery 饰)高调现身,演讲、出书、接受电视台专访、组织幸存者自救会,风光无限之时名利双收。然而波比只是一个为搏出位的骗子,他的谎话骗过了大多数人,却骗不了竖锯约翰(托宾·贝尔 Tobin Bell 饰)。一场针对波比及其团队的残酷生存游戏拉开序幕…… 本片为电锯惊魂系列第七部,制作成3D影片上映。
主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯 简介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.