于

主演：赵柯,李诚儒,李欣泽,刘桦,范雷,黄小蕾,于美含,王毅凡
简介：红炸天公司的业务蒸蒸日上，吴信决定拓宽业务领域，策划一起大型直播真人秀节目，以隐蔽拍摄的形式记录帮人圆梦的过程，名字叫做“白日做梦ccc。广告一打出有千奇百怪的人找上门来，要红炸天公司帮他们实现愿望。　　他们帮助刑满释放的毕蒙完成当警察的愿望，解开了心魔；帮助土大款王亿万摆脱“土鳖”的骂名，还资助了生病的小豆子；帮助郝姐排除掉了渣男，认清了追求者的真面目并找到真爱。就在众人皆大欢喜之际，吴信却突然不见了，公司被一个自称虞爷的男子鸠占鹊巢，最后大家在团队的合作下击败了虞爷，夺回公司。

主演：于月仙,张灏耀,荣茉含,黑子,王添,周忠义,博尔古德,陈鑫,呼斯乐,刘明扬,杨柏轩,于百惠,毛子瑄
简介：讲述了在美丽的内蒙古大草原上，色盲少年阿云嘎不慎弄坏了妹妹阿娜尔的近视眼镜，因为家境贫困，阿云嘎不敢告诉母亲塔娜弄坏眼镜的事。阿云嘎苦恼无钱给妹妹买新的眼镜，于是伙同小伙伴们开展了一系列的“挣钱”行动......母亲塔娜得知此事后，用一件件小事教育阿云嘎。阿云嘎认识到错误后，无奈之下，又做出了新的决定......

主演：马正阳,藤新
简介：弟弟秦泽自幼极具音乐天赋，却因错失一次重要的比赛而留下...

主演：麻仓桃,花江夏树,代永翼,户松遥,神谷浩史,丰崎爱生,铃村健一,阿澄佳奈,梶裕贵,雨宫天,东山奈央,细谷佳正,松冈祯丞,Gero
简介：这系列关于一个校园内发生各式各样的恋爱故事，歌词都是在写角色的个人感受，而系列中不少曲子都有-anotherstory-，即在对方的视角看同一个故事。

主演：郭德纲,于谦,高峰,栾云平,岳云鹏,孙越,郭麒麟,阎鹤祥,孟鹤堂,周九良,张鹤伦,郎鹤焱
简介：【第一场】　　- 《开场门柳》郭德纲携众人　　- 《芳言芳语》孙九芳、马霄戎　　- 《怪治病》尚九熙、郭霄汉　　- 《陈大海挖人参》郭德纲　　- 《儿徒爱徒》烧饼、于谦、栾云平　　- 《口吐莲花》张九龄、王九龙　　- 《歌曲研究》孟鹤堂、周九良　　- 《公主来了》郭德纲、于谦　　- 《卖估衣》张鹤伦、郎鹤炎　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《洪羊洞》郭麒麟、阎鹤祥　　- 《造厨》岳云鹏、孙越　　- 《三人行》郭德纲、于谦、高峰　　【第二场】　　- 《歌唱吧少年》谢金、李鹤东　　- 《杨乃武写状》张鹤伦、郎鹤炎　　- 《人肉铺子》郭德纲　　- 《德云欢乐颂》冯照洋、于谦、杨鹤通　　- 《黄鹤楼》孟鹤堂、周九良　　- 《新数来宝》烧饼、曹鹤阳　　- 《翻四辈》郭德纲、于谦、张九南　　- 《福寿全》郭麒麟、阎鹤祥　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《卖吊票》岳云鹏、孙越　　- 《写对子》高峰、栾云平　　- 《戏曲与方言》郭德纲、于谦

主演：郭德纲,于谦,高峰,栾云平,岳云鹏,孙越,郭麒麟,阎鹤祥,孟鹤堂,周九良,张鹤伦,郎鹤焱
简介：【第一场】　　- 《开场门柳》郭德纲携众人　　- 《芳言芳语》孙九芳、马霄戎　　- 《怪治病》尚九熙、郭霄汉　　- 《陈大海挖人参》郭德纲　　- 《儿徒爱徒》烧饼、于谦、栾云平　　- 《口吐莲花》张九龄、王九龙　　- 《歌曲研究》孟鹤堂、周九良　　- 《公主来了》郭德纲、于谦　　- 《卖估衣》张鹤伦、郎鹤炎　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《洪羊洞》郭麒麟、阎鹤祥　　- 《造厨》岳云鹏、孙越　　- 《三人行》郭德纲、于谦、高峰　　【第二场】　　- 《歌唱吧少年》谢金、李鹤东　　- 《杨乃武写状》张鹤伦、郎鹤炎　　- 《人肉铺子》郭德纲　　- 《德云欢乐颂》冯照洋、于谦、杨鹤通　　- 《黄鹤楼》孟鹤堂、周九良　　- 《新数来宝》烧饼、曹鹤阳　　- 《翻四辈》郭德纲、于谦、张九南　　- 《福寿全》郭麒麟、阎鹤祥　　- 《京剧清唱》高九成、刘鹤春、李云杰、郭德纲　　- 《卖吊票》岳云鹏、孙越　　- 《写对子》高峰、栾云平　　- 《戏曲与方言》郭德纲、于谦

主演：内详
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

主演：冈咲美保,丰口惠美,前野智昭,花守由美里
简介：电视动画《关于我转生变成史莱姆这档事》 改编自伏濑创作的同名轻小说，于2018年3月宣布了动画化的消息。动画由8-bit负责制作，于2018年10月播出。史莱姆生活，开始了。上班族的三上悟在道路上被歹徒给刺杀身亡后，回过神来发现自己转生到了异世界。不过，自己居然是“史莱姆”！他在得到利姆露这个名字后开始了自己的史莱姆人生，随着与各个种族相处交流的过程中，他定下了一个目标——那就是“建立一个任何种族都能愉快地一起生活的国家”！

主演：内详
简介：转生史莱姆新作OAD将随漫画第12卷特装版发售、内容为“泳装篇”。 7月 泳装篇OAD 12月 相扑篇OAD

主演：郭德纲,岳云鹏,于谦
简介：一年一度的德云社跨年相声演出爆笑来袭！此次相聚郭德纲携德云社相声演员以不同主题、不同演绎形式与观众们见面，力求让大家有耳目一新的感觉，重新包装很多的传统段子，不断推出具有时代符号的新段子，以满足观众的需求。精彩敬请期待。