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主演：特雷弗·多诺万,詹姆斯·马斯洛,约翰·图尔克,Michael Foster,约翰·威尔士,Ronald Woodhead,Taylor Novak,Michael Parrish,Brian Heintz,David Fink,Kara Joy Reed,Lance Newton,Daniel Jeffries,Mason Heidger,Callie Bussell,Nick Denmon,Ja
简介：二战如火如荼。美国犹太裔飞行员大卫的飞机在一次侦察行动中被击中，掉落在一个德占机场。大卫被抓，意外发现德军要利用收缴的美国飞机实施一个“特洛伊木马”计划，在欧洲投放足以毁灭城池的超级炸弹。即使力量悬殊，大卫和被俘的战友们仍孤注一掷，拼死阻止纳粹的邪恶计划。

主演：贾娜尔·帕里希,卡洛斯·佩纳,阿丽夏·维加,Tommy Ragen,Levi Dylan,雷文-西蒙尼,Rodney Hicks,本·米利肯,Nana Ghana,Dana Byrne,Gianna Harris,托马斯·卡斯普,Bill Lewis,肖恩·麦克纳马拉,Emma Ragen,Nick Spano
简介：珍妮尔帕里什扮演音乐经理吉娜杰克逊，她的生活被粉碎时，她的弟弟和主唱，沃恩（莱维迪伦），在一场悲惨的事故中丧生。十年后，当一个年轻的吉他神童橡树·斯科金斯（汤米·拉根）进入她的轨道，她变得相信，这个年轻人是沃恩的转世，但他吗？

主演：查德·迈克尔·墨瑞,玛丽娜·赛提斯,唐纳·布坎南,泰勒·克里斯托弗,贾德·奇诺维斯,Jason Genao,Cassie Self,Emery Kelly,Christopher Michael,安东·斯塔克曼,Sydne Mikelle,John Littlefield,Han Soto,Candice Michele Barley
简介：Five teenagers compete to win a mansion owned by entrepreneur and scientist Atticus Virtue. To win the teens must face-off against a super computer named HAVEN who controls the mansion.

主演：Nargess Mamizadeh,Maryiam Palvin Almani,Mojgan Faramarzi,Elham Saboktakin,Monir Arab,Maedeh Tahmasebi,Maryam Shayegan,Khadijeh Moradi,Negar Ghadyani,Solmaz Panahi,弗里施特·萨德尔·奥拉法耶,Fatemeh Naghavi,Ataolla
简介：本片讲述了7个伊朗女性的悲惨故事。妇女从医院领到了尚在襁褓中的女儿，但是她并不开心，因为此前的超声波显示，她怀了一个男童，如今倒凤颠鸾，令她措手不及。当地重男轻女的风俗，令她如堕冷宫。刚出狱的女孩跟女伴到处找钱，历尽千辛万苦，凑齐了钱，却最终怯于踏上返乡的列车。未婚先孕的少女被哥哥扫地出门，在男友死亡后只得去做了人工流产，出狱后的中年女人发现男人已出轨。当了护士的女孩想方设法帮她，自己的婚姻却陷入僵局……　　本片获57届威尼斯电影节最佳影片金狮奖。

主演：查宁·塔图姆,马克·斯特朗,杰米·贝尔,唐纳德·萨瑟兰,塔哈·拉希姆,István Göz,Bence Gerö,丹尼斯·欧哈拉,Paul Ritter,若尔特·拉斯洛,Julian Lewis Jones,Aladár Laklóth
简介：20年前，强盛的罗马帝国派出由5000精兵组成的罗马第九军团，却在苏格兰高地神秘消失。第九军团首领之子马库斯（查宁·塔图姆 Channing Tatum 饰）骁勇善战，带兵征战在前线。因为在一场战争中严重受伤，他不得不在叔叔家中养伤。养伤期间，马库斯在角斗场中救下一名奴隶埃斯科（杰米·贝尔 Jamie Bell 饰），并将其收为仆人。不久之后，马库斯听闻北方一个部落有人发现了当年父亲遗失的鹰杖，立志为父亲赢回荣誉的他决心远赴北方拿回鹰杖。马库斯带着对北方环境比较熟悉的埃斯科一起出发。路途中主仆二人的关系经历了各种起伏与相互考验。尤其是当他们遇到凶狠的西尔王子（塔哈·拉希姆 Tahar Rahim 饰）后，马库斯发现埃斯科的身份远远不只是个普通的奴隶那么简单。究竟谁掌控着鹰杖，当年的第九军团是如何覆灭的？真相愈加扑朔迷离……

主演：路易斯·霍夫曼,莱昂·赛德尔,海克·玛卡琪,本诺·菲尔曼,约阿希姆·克罗尔,彼得·洛迈尔
简介：尽管从小就失去了母亲的呵护和关爱，但汤姆（路易斯·霍夫曼 Louis Hofmann 饰）还是长大成为了一个活泼伶俐的男孩。调皮的他无心上学，经常偷偷溜出学校，惹出一连串的麻烦。哈克贝利（莱昂·塞德尔 Leon Seidel 饰）是汤姆的朋友，一次偶然中，两人溜进墓地玩耍，却意外的目睹了一桩杀人事件。　　害怕遭到凶手的报复，汤姆和哈克贝利决定踏上逃亡的旅途，一行人来到了一座荒岛之上，在此开始了惬意的生活。汤姆的家人以为汤姆已死，没想到他却在自己的葬礼上跳了出来，吓了大家一跳，之后汤姆道出了事情的原委，使得凶手最终被绳之以法。之后，汤姆和贝姬（Magali Greif 饰）在山洞里迷了路，却因祸得福的找到了宝藏。

主演：季娜伊达·基里延科,伊戈尔·列多戈罗夫,亚历山大·法秋申,然娜·普罗霍连科,弗拉基米尔·德鲁日尼科夫,尼古拉·沃尔科夫,Yelizaveta Sergeyeva,Lyudmila Stoyanova,阿里斯塔克·利瓦诺夫,Vladimir Zaytsev,Yevgeni Tarasov,Aleksey Alekseev,Muza Krepkogorskaya,Ivan Kosykh,Natalya
简介：苏联卫国战争胜利后，军事法庭对战时曾出卖地下工作者的一女二男进行审判，并处以死刑。审判引起了回忆……　　战争开始后，来不及撤出辛姆菲罗波尔市的一些著名演员利用自己的特殊身份，表面上对德国占领军曲意奉承，而暗地里却在剧院接头，散发传单，为游击队送药品。由于叛徒的告密，他们被捕了。面对着敌人的严刑拷打，他们坚贞不屈，最终惨遭杀害。

主演：Loretta Young,George Brent
简介：

主演：Yelena Tsyplakova,伊戈尔·斯克利亚尔,Aleksandr Pankratov-Chyornyy,Nikolai Averyushkin,Pyotr Shcherbakov,Evgeniy Evstigneev
简介：有人戏称这部电影是“四个男人的一台戏”。　　影片中基本没有特别引人的情节，没有激烈的动作打斗场面，甚至没有撩人心弦的爱情故事，然而绕有趣味的是，影片除却赢得了1700万观众，还被当时权威电影杂志《苏联银幕》评为1983年最佳影片。　　这样一部既叫座又叫好的影片讲述了前苏联20年代四个青年音乐家组办爵士乐队的故事。在那样一个“火红的年代”，属于“资本主义意识形态”的爵士乐很难被苏联官方接受。出现在影片中几乎所有文化场合的标语“艺术要为劳动人民服务！”是那个时代的典型象征。四个热爱爵士乐的青年就这样不合时宜、一波三折地进行着他们“不可能完成的任务”。　　影片拍摄完成的80年代，苏联人已经开始通过一些“非法渠道”接触西方文化，当时，《巴黎最后的探戈》录像带开始半地下流行，持不同政见歌手的音乐会也几乎场场爆满。因此，在这样一种社会背景下影片中发生的故事立刻能得到观众的认同，主人公们对理想的执着、对自我价值的肯定、对友谊的坚持也让人感觉亲近和鼓舞。　　影片运用幽默诙谐的手法对时代进行嘲讽，用优美的音乐旋律和舞蹈动作打动观众，一个本应沉重的题材得以让人轻松地内省。　　导演卡·沙赫纳扎罗夫、编剧亚·巴拉基杨斯基、摄影弗·舍弗兹伊克构成了一个强力组合， 剧本经过10次修改，人物性格设计上的差异赋予了演员极大的发挥空间。透视片中时代里的个体、音乐里的个性，我们看到一种俄罗斯哲学的智慧。或许有一天，你已经忘记了影片故事的情节，但是某些掺杂着辛酸与甜蜜、沮丧与欣喜的电影画面会在脑海中悄然浮现。　　影片获1984年法国格勒诺布尔国际音乐片电影节评委会特别奖，波兰罗兹国际电影节银奖，并参展1984年伦敦、芝加哥、贝尔格莱德等电影节。

主演：Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.