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主演:马蒂亚斯·勒古特·哈蒙德,埃洛迪·布歇,让-查理·克里切特,西莱丝特·布伦奎尔,拉莉·梅西尔,路易斯·佩雷斯,Angèle Metzger,Bakary Diombera,安妮·波努瓦,Valérie Lemaitre,布鲁诺·若里斯,Géraldine Pochon,Mila Ruozo,Noah Lazhar,Suzon Renaud,Cédric Mazzec,Roland Gervet,V
简介:费拉尔一家搬到一个安静的小镇,同时尽一切努力让自己看起来很正常。他们的儿子菲莱蒙 (Philémon) 17 岁,性格温和内向,患有一种奇怪的病症,他必须不惜一切代价隐瞒这种病症。但他正在成长。他对卡米拉的渴望很快就与他迄今为止一直在控制的对鲜血的渴望融合在一起。他身上的差异变得无法隐藏……
马蒂亚斯·勒古特·哈蒙德,埃洛迪·..
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叛徒

主演:皮耶尔弗兰切斯科·法维诺,马丽娅·费尔南达·康基多,路易吉·洛·卡肖,福斯托·鲁索·阿莱西,尼诺·波尔齐奥,Alessio Praticò,Gabriele Arena,法比齐奥·费拉卡尼,Jacopo Garfagnoli,Patrick Simons,Marco Gambino,Calì Nicola,Goffredo Maria Bruno,Massimiliano Ubaldi,Maril
简介:本片根据意大利真实事件改编而成。上世纪80年代初期,黑帮首脑多玛索·布西达从意大利移居巴西,然而远在意大利的自己的哥哥与孩子却相继被黑帮团伙杀害。为了惩治凶手,他开始与意大利警方合作,在两方的不断努力下,多玛索·布西达不仅抓住了杀害自己亲人的幕后黑手,并将意大利盘根错节的黑帮团伙连根拔起……
皮耶尔弗兰切斯科·法维诺,马丽娅·..
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占据

主演:托比·凯贝尔,佩内洛普·米契尔,杰弗里·丹尼尔·菲利普斯,斯蒂芬·里德尔,梅丽莎·博洛纳,贝斯·布罗德里克,杰森·帕特里克,卢·坦普尔,约翰·纽伯格,丹尼尔·索斯沃思,Zander Essex,Gianni Capaldi,Elana Krausz,Jessica Ambuehl,Kate August Lim,Rich Williams,西耶娜·法拉尔,吉米·斯达
简介:一个年轻女人意识到她的未婚夫被某种实体附身,占据他人身体、谋杀家人然后继续附身到新躯体之上,当“他”想组建属于自己的家庭时,她将面临着几乎不可能的抉择。
托比·凯贝尔,佩内洛普·米契尔,杰..
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地兽

主演:Rebecca Balding,Fred McCarren,安妮-玛丽·马丁
简介:可怕的怪兽在废弃矿坑被埋了七十年,如今终于逃脱而出,而只有老年人才知道它的恐怖!
Rebecca Balding,F..
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力比多

主演:Giancarlo Giannini,Dominique Boschero,Luciano Pigozzi
简介:克里斯蒂安与妻子艾琳回到一座阴森森的古堡,同行的还有他父亲的管家保罗及其妻子布丽奇特。20年前,幼年的克里斯蒂安曾在这古堡的“镜房”里亲眼目睹自己的父亲虐杀了一个金发女子。。。
Giancarlo Giannin..
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阴沉

主演:马克·巴贝,埃琳娜·勒文松,Géraldine Voillat
简介:A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the virgin who will give herself to him, and perhaps deliver him from his malediction. Written by Gregoire Dubost {gregoire.dubost@polytechnique.fr}
马克·巴贝,埃琳娜·勒文松,Gér..
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探戈课

主演:莎莉·波特,Pablo Verón,David Toole,Morgane Maugran,Géraldine Maillet,Katerina Mechera
简介:电影导演莎莉(莎莉·波特 Sally Potter 饰)在创作新剧本时遇到了灵感堵塞,她烦恼不已,却又无济于事。在观看一场激情肆意的探戈舞演出后,莎莉被深深感染,仿佛找到了一些灵感。她决心暂时抛下工作,开始学习探戈舞。她去巴黎旅行遇上了有名的探戈舞者帕布罗,被他的舞蹈所吸引。于是提出让他在自己的下部电影里演出,以帕布罗教她跳舞作为交换条件。莎莉越来越沉迷于探戈舞,在与帕布罗学习探戈的过程中,他们彼此爱上了对方。但来自不同文化背景的两人,性格有着极大的反差:来自南美的帕布罗有着强烈的控制欲,他习惯掌控选舞、音乐等一切细节,甚至包括与莎莉的爱情;而作为女性主义者的莎莉却是决定帕布罗参与她的影片的关键人。两人之间的关系时而紧张,时而悠然,一场爱情之战悄悄开始。
莎莉·波特,Pablo Verón..
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一日赴死

主演:布鲁斯·威利斯,弗兰克·格里罗,凯文·狄龙,里昂·罗宾逊,约翰尼·梅辛纳,穆罕默德·卡里姆,Gianni Capaldi,Vernon Davis,Brooke Butler,Alexander Kane,Aspen Kennedy Wilson,Curtis Nichouls,Cheryl Prater,Shannon Ritch,Cami Roebuck
简介:一个不道德的假释官(狄龙饰)欠下了当地黑帮头目的债务,被迫在12小时内完成一系列危险的毒品抢劫行动,以偿还他所欠的200万美元,同时解救他被绑架的怀孕妻子,并与该市腐败的警察局长(威利斯饰)算账,后者与该黑帮头目合作,多年前曾出卖过假释官。
布鲁斯·威利斯,弗兰克·格里罗,凯..
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古墓丽影

主演:安吉丽娜·朱莉,丹尼尔·克雷格,伊恩·格雷,诺亚·泰勒,强·沃特,理查德·约翰逊,克里斯·巴里,朱利安·林希德-图特,莱斯利·菲利普斯,Robert Phillips,Rachel Appleton,大卫·谢,卡尔·蔡斯,奥莱加·费多罗,丽琪达·卡里,Sonny Caldinez,詹姆斯·恩布里
简介:20年前罗拉(安吉丽娜•朱莉 饰)的父亲(乔恩•沃伊特 饰)挖掘古墓得到的一个箱子里收藏了一个神秘的钟。罗拉从父亲那里知道,这个钟与一个神秘组织有关。这个叫光明会的组织相信当他们找到这个古钟后,便有了把时间与空间打开的钥匙,一把三角形的金属钥匙。多年来该组织一直在苦苦寻觅。 光明会希望通过这把钥匙让他们的组织始祖复活。但首先要找到钥匙。而且时间紧迫,两天后将出现日全蚀。这个时候三角钥匙内在的力量便会达到最大。光明会不想错过这个大好机会。罗拉扛上了这个艰巨的任务,在重重困难中寻找拯救宇宙的三角钥匙。
安吉丽娜·朱莉,丹尼尔·克雷格,伊..
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外星恶客

主演:Marshall Thompson,Shirley Patterson,Kim Spalding
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
Marshall Thompson..